Description
WILLIAM WHITAKER
One of the key issues that divided Protestants and Roman Catholics during the Reformation was their understanding of Holy Scripture. In this monumental work, William Whitaker addresses six significant areas where Rome had deviated from the truly catholic doctrine of Sola Scriptura. Interacting largely with two of Rome’s most formidable defenders, Whitaker answers questions regarding the number of canonical books, the authentic translations of Scripture, the authority of Scripture, the perspicuity of Scripture, the proper interpretation of Scripture, and the perfection of Scripture. Whitaker’s Disputation on Holy Scripture was an important rejoinder for Protestants in the sixteenth century and stands as a worthy guide to God’s Word today.
Contents
Preface
Epistle Dedicatory
Preface to the Controversies
Question I: The Number of Canonical Books of Scripture
Question II: The Authentic Edition and Versions of the Scriptures
Question III: The Authority of Scripture
Question IV: The Perspicuity of Scripture
Question V: The Interpretation of Scripture
Question VI: The Perfection of Scripture, against Unwritten Traditions
To the Reader
Index
Endorsement
“Since the Reformation only a few godly servants of the truth have invested the time and effort necessary to produce for God’s people a full-orbed defense of Scriptural sufficiency against those who would subject Scripture to external authorities. William Whitaker was one of those servants, and his work should be carefully studied by all concerned shepherds of Christ’s flock.” – Dr. James White, Director, Alpha and Omega Ministries
About the Author
William Whitaker (1548–1595) was Regius Professor of Divinity and master of St. John’s at the University of Cambridge. He was an ardent defender of the Reformed doctrines of grace and an admired defender of Protestantism against the errors of Roman Catholicism. Described as “the pride and ornament of Cambridge,” few English divines were held in higher esteem by their contemporaries. Even Robert Bellarmine, the Roman Catholic scholar, was so impressed by Whitaker’s genius that he hung Whitaker’s portrait in his study.
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